![]() This led to a slot as part of a special showcase at New York's Carnegie Hall within weeks, an entranced German immigrant and jazz fan named Alfred Lion recorded nine solos by Ammons, eight by Lewis and two duets between them. The boyhood friends from Chicago each developed serious stride piano chops, and eventually started gigging together as a duo act. Enjoy.Īlbert Ammons and Meade "Lux" Lewis, "Nagasaki" from The First Day (1939): We cheated a little on this one - it's not a solo as much as a six-minute fireworks display sparked by the duet of two boogie-woogie pianists. The idea was to showcase not the label's "greatest hits" - that would be impossible - but rather works that offer meaningful insights into the art of improvisation and the company's deep history. ![]() To honor the label, we've combed the vaults to select 75 singular solos, some sprawling over multiple heroic choruses, some lasting just a crisp few measures. ![]() Its artists, both the jazz legends and those journeymen who are little regarded today, have helped shape the ever-evolving notion of what a solo is and what it can be. Its records have showcased jazz soloing in every possible mood and temperament. One constant running throughout its history is improvisation. Blue Note At 75 Cause For Celebration: The Iconic Blue Note Records At 75īlue Note Records has been many things over the course of its 75 years: a label responsible for blinding jazz innovations, a home for the titans of hard bop and soul jazz, a place for smart, sly, jazz-inflected pop creations. ![]()
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